Keltie Ferris
Exclamation Point

Mar 19, 2016 – Apr 23, 2016
  • Exclamation Point, 2016, Klemm’s, Berlin

  • Exclamation Point, 2016, Klemm’s, Berlin

  • Exclamation Point, 2016, Klemm’s, Berlin

  • Exclamation Point, 2016, Klemm’s, Berlin

  • Exclamation Point, 2016, Klemm’s, Berlin

  • Exclamation Point, 2016, Klemm’s, Berlin

  • Exclamation Point, 2016, Klemm’s, Berlin

We’re very pleased to present the first solo exhibition of work by New York based artist Keltie Ferris (b.1977) in Germany. The exhibition will bring together a new set of paintings and a number of Ferris’ ‘body prints’ – the artist’s ongoing series of unique works on paper.

“I’ve accepted the limits of painting, its conventions, but I still see a glimmer of possibility for painting within this. Painting has been used to express such a range of emotional tenors – across a spectrum of sincerity and irony. Maybe I’m trying to find an expressivity that feels honest and appropriate for right now, not corny or jokey.”
from: Keltie Ferris in conversation with Isabelle Graw, 2015

Keltie Ferris’ paintings greet the viewer as living and breathing entities, pulsing and throbbing beyond the limits of the canvas and humming with energy. She synthesizes allusions to divergent schools of painting, from pop to abstract expressionism to graffiti, into a riotous fusion unmistakably her own – which is deeply engaged in an investigation about the ‘being’ of painting.

Idiosyncratic patterns and electric colors jostle for attention, while in other works, subtler, radiant pastels meander across the canvas to evoke further dimensions. Textures of syncopated brushstrokes and air-brushed oil paint bring to mind aerial views of futuristic cities, acid-inspired quilts, or glitch-laced JPEGs. Keltie Ferris synthesizes allusions to divergent schools of painting, from pop to abstract expressionism to graffiti, into a riotous, authentic fusion unmistakably her own. Following this ‘veracity’ her body prints – Ferris’ recent method of working with natural oils and pigments, using her whole body as a brush – explore painting as a personal index.